Thursday, 19 June 2014

New Theatre 3 Sides Workshop.

Evaluate the skills acquired in the physical and vocal workshops which took place in the new theatre.

Thursday, 5 June 2014

Facts About Tigers

Tigers are some of the biggest cats we have walking the face of the earth, but unfortunately, they have been threatened to endangerment these passed many years. In addition, although some may view as vicious creatures, they are really very friendly animals when not alarmed. Besides having some very bright stripes about them that define them as tigers, they have a few other factoids about them that some people never knew, or at least the average person never knew. So here are a few little details about this beautiful cat that makes it is a unique creature.

ITEMS
DESCRIPTIONS
Basic facts
·       Scientific name: Panthera tigris. Tigers are carnivores.
·       Lifespan: 10 – 15 years in the wild and 20 – 26 years in captivity.
·       Height at shoulder: 70 – 122 cm (28 in – 48 in)
·       Speed: 49 – 65 kmh (31 – 41 mph) in a short burst
Mass
·       Newborn: 0.7 – 1.4 kg (1.5 – 5 pounds)
·       Adult female: 65 – 167 kg (143 – 368 pounds)
·       Adult male: 90 – 306 kg (198 – 674 pounds)
Length
·       Adult male: 250 – 390 cm (8.2 – 12.8 ft)
·       Adult female: 200 – 275 cm (6.6 – 9 ft)
Habitat
·       South and Southeast Asia, China and far east Russia
FAST FACTS ABOUT TIGERS




How far away can you hear them roar?
You can hear the roar of a tiger from not a few feet away but a mile away. Now that is one loud roar!
How much meat do they eat?
They eat over one hundred pounds of meat each and every night because they go days and days at times without food, so they can have time to lounge around. It is only when they get up again to go for a hunt that a new meal is around the corner.
What do they eat?
Despite what you may have heard, they don’t focus on the big kinds of meat like say, a man. They actually go for smaller animals often like turtles, porcupines, monkeys and even frogs. They usually resort to those animals when there are no deer around to chomp on.
Description: iger habitat map
Tiger distribution. Map by Sean Finnegan, National Geographic.

What is different about their eyes?
They are known as being one of only a handful of animals in the world to have very bright eyes, even at night, you can notice these majestic eyes shining through the moonlight.
Are they the biggest cat in the world?
You had better believe it. Not even a lion outmatches these animals, of course, each subspecies of tiger is different then the other but most of them retain that very large physique you don’t find any other big cats.
Are the cubs really born blind?
Yes, they are and they gain their eyesight after a few months of being cared for by their mother.


Children’s Theatre Notes

Children’s Theatre Notes

The content can cover social issues, local community history, seasonal entertainment, contemporary or classical literature, the teaching of skills or information, school set texts or even support the curriculum.

We will focus on the selection, adaptation and shaping of material to make it suitable for an audience of children. Drama, dance, singing and music skills will be developed and applied in the creating of performances, specifically aimed at a young audience.
Learners will explore likely and suitable material, whether published text or based on a stimulus, then select and shape it according to the target age group, its suitability, the audience needs and the purpose of the performance.
Performances could be educational or just for entertainment and fun. 
There will be opportunity for interaction with the audience through practical workshops, and to evaluate the performance. 

Lesson questions.
More questions will be added by your teacher when required.

Week 1           Thursday 5th June
What is Children’s Theatre?
What skills does an excellent children’s theatre performer need to possess?
How would you adapt an issue for delivery to a specific audience?

Week 2           Thursday 12th June
What tasks did you do in the lesson today towards creating TTWCTT? (e.g. creating character, learning song)?  Describe and evaluate the exercises.
How do you think it contributes/will contribute towards making TTWCTT? 

Week 3           Thursday 19th June    Interim sharing of work
Are the ideas effective?  Are they theatrical and, if not, can they be made theatrical?  Will they appeal to ‘little people’?  Why/why not?

Week 4           Thursday 26th June
Do you think the material you have created today will be suitable for ‘little people’?  Why is it/is it not suitable?

Week 5           Thursday 3rd July       Dress rehearsal
Was the dress rehearsal performed confidently and effectively? Did it communicate the intentions in a controlled and engaging manner?

Week 6           Thursday 10th July     Performance day

Week 7           Thursday 17th July     Evaluation Lesson

Evaluation Essay Question
Discuss your exploration and development of TTWCTT taking into consideration key factors and relevant ideas and input you to the process.
Evaluate the skills and techniques in used in rehearsal and discuss how you responded to direction and feedback to develop work.


Devising Log

Year 10 Devising Log
For TTWCTT
Little People’s Day

Record the devising process for Little People’s Day using this document.
Try to be as detailed as possible, describing what you did to develop your group’s section for The Tiger Who came To Tea  and what you thought at each stage about how it was progressing as a piece of theatre.

Lessons available to create work
Week 1          Thursday 5th June
Week 2          Thursday 12th June
Week 3          Thursday 19th June           Interim sharing of work
Week 4          Thursday 26th June
Week 5          Thursday 3rd July               Dress rehearsal
Week 6          Thursday 10th July             Performance day
Week 7          Thursday 17th July             Evaluation Lesson

Departments
·      Media
·      Music
·      Musical theatre
·      Theatre
·      Dance
·      Art
Each departments section needs to be between 5-10 minutes-this is to ensure that whole piece doesn’t run over an hour or it will be too long for them to focus.


The BRIT School for Performing Arts and Technology
Theatre Department
 


Assignment brief
Unit number and title
Unit 11: Devising Performance Work
Qualification
Level 2 BTEC First Extended certificate in Performing Arts (Acting)
Start date
Thursday 5th of June 2014
Deadline
Thursday 17th of July 2014
Assessor
Will Rennison and Jack Hughes

Assignment title
Little People’s Day
Learning aims
In this unit you will:
A Explore, develop and shape material for a devised performance
B Rehearse and perform devised material
Scenario
You will create a piece of devised work for an audience of children aged between 2 and 5. You will respond to a section of the story ‘The Tiger Who Came to Tea’ as a stimulus. This piece will form part of a whole school project which will be performed on Little People’s Day on Thursday the 10th of July in The new Theatre. The story has been given to us by the Selhurst Early Years Centre, and you will be expected to work as a creative, co-operative member of the team to create and perform the work.
Assessment is through teacher observation, and evaluative essay
Learning aim A  Explore, develop and shape material for a devised performance
You will take part in initial workshops and devising skills lessons, working from the stimulus given by the Children’s Centre.  Once you have had the opportunity to develop your techniques you will begin creating material for performance with your teacher.   You will develop, shape and rehearse your material for performance, working on your own character / role with particular focus.  You will need to keep the audience you are creating the work for at the forefront of your minds, ensuring that your methods of performance and storytelling are appropriate and accessible.
Formative feedback date: Thursday 12th of June
Deadline:  19th June 2014
This provides evidence for P1, M1, D1, P2, M2, D2,
Learning aim B  Rehearse and perform devised material
You will perform the work to an audience.  You will work on performing with vocal and physical imagination, being responsive to others on stage and communicating with clarity. You will have to be confident that the style of work and performance you are using communicates to the young audience in a way that they can understand and enjoy.
Deadline:   10th July 2014                                           
This provides evidence for P3,M3,D3
Learning aim A  Explore, develop and shape material for a devised performance  Written Evaluation
You will write an evaluation of the work you created, considering the strengths and weaknesses of the performance.  You will also be expected to analyse how the process contributed to the quality of the final piece.  You will be given detailed guidelines for this essay by your teacher.
Deadline: 17th July 2014
This provides evidence for P1,M1,D1, P2,M2,D2
Sources of information

This brief has been verified as being fit for purpose
Assessor
W Rennison
Signature

Date
April 4th 2014
Internal verifier
S. Niven
   Signature

Date


Assessment Criteria
P1        Explore, develop and shape work for a devised performance, taking into consideration key factors and contributing relevant ideas
M1        Explore, develop, shape and refine work for a devised performance, taking into consideration,
key factors and contributing relevant ideas and consistently making a positive contribution
D1        Explore, develop, shape and refine work for a devised performance taking into consideration key factors and contributing relevant imaginative and perceptive ideas with a high level of commitment and input, to the process.

P2        Apply relevant skills and techniques in rehearsal, responding to direction and feedback to develop work
M2       Apply relevant skills and techniques in rehearsal, responding to direction and feedback to develop work, and making a positive contribution to the development of the work.
D2       Select and apply relevant skills and techniques in rehearsal; respond to direction and feedback to develop work; make positive, effective and imaginative contributions to the development of the work.

P3    Perform devised material, communicating intentions to an audience
M3    perform devised material that clearly and confidently communicates intentions to an audience
D3    Perform devised material that clearly, confidently and effectively communicates intentions to an audience in a controlled and engaging manner

Thursday, 8 May 2014

Written Evaluation of Beautiful Thing

Written Evaluation of Beautiful Thing
You will write an evaluation of Beautiful Thing, considering the strengths and weaknesses of the performance.  You will also be expected to analyse how the process contributed to the quality of the final piece.  You will do this by researching the director, Theatre Company, actors and their process’s.
Deadline: 5th June 2014

This is the live link to the play.

Play website

Interview with actor Jake Davies about his process and history.

Follow this guide while you watch to help your written evaluation.

750 words

Do not to be a passive observer but rather an active participant.


Can add diagrams

Take into consideration,
·       Key performance factors and contributing relevant imaginative and perceptive ideas.
·       How does the performance portray intentions to an audience?

What did you see?
(Covers the visual aspects of the performance)
These could include:

·       Set/staging
Naturalistic/Non Naturalistic? Stylised? Colourful? Atmospheric? Simple? Complex?
What affect did it have? Did it add to atmosphere? How? Give examples.










·       Costume
Period? Colour? Detail? Did it add to the effect of the set? Contribute to character?










·       Specific effects

Lighting
Was the lighting natural or dramatic? Bright, dim, spotlight, darkness, use of colour? At what points did lighting add to the impact of the play? Give examples.

Smoke, wind, projection?  How were they used? How well?













·       Specific work by actors(s) at specific moments
Any double casting? How was this done? Females playing males and vice versa.












What did you hear?
Covers the aural aspects of the performance.
These could include:
·       Sound effects
How was it used? Did it heighten atmosphere? Give examples.









·       Music
Was there music? Other sounds? How was it used? Did it heighten atmosphere? Give examples.










·       Specific vocal work by actor(s) at specific moments
Naturalistic or stylised? Speaking in unison? Formal or informal? Slang? Was it effective? Comment on a section of dialogue that stood out for you.












What did you think about it?
Invites critical evaluation of the performance from a position of knowledge as a drama student.

These could include:
·       Overall impact and how it was achieved
What were the main moments of impact? What moments were most memorable and why?











·       The work of the director in engaging the audience
Slow or fast paced? Did it vary? Did it slow down and then speed up? Why do you think this was?











·       The work of the designer(s) in creating sound and vision












·       The work of actors in bringing characters to life
Who were the characters? Who was most central/important/significant? Were the characters believable? Comment on accent, voice, body language, gesture.







Notes